Ikelite - Canon Rebel T2i 550D ( Aqua Cat April '10 )

Diving with Aqua Cat Cruises, Exuma Cays and southern Bahamas. Equipment used: Ikelite DSLR Housing #6871.55. Canon Rebel T2i 550D camera with Tokina 10-17mm lens. Dual DS161 Movie Substrobes. www.ikelite.com www.aquacatcruises.com

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Two Axis Panning Timelapse Head for DSLR (ready to buy)

shop.telescope-warehouse.com Email Bill to make arrangements for INTERNATIONAL SHIPPING: scopehed@frontiernet.net (Please let him know that MILAPSE sent you! (full disclosure: I receive a small sales commission)) Bracket: 3.5" x 9.5" x 1/8" aluminum plate, 90 degree bend at about 3.5", the hole pattern is 4 X 1-1/16" OC (3/16" dia). The 1/4" holes to receive the camera mount depends on the camera tripod grommet position. If you had the plate bent you could tap the holes with a home shop drill. If you take the head and your camera to a metal shop it should only take them 5-10 minutes to fabricate something. If you want to learn more about the controllers here are the manuals: www.meade.com www.meade.com

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Camera Stabilization on a Budget. (Plus U-Flycam review)

music4yourvids.co.uk IMPORTANT Please do not ask me about Cinecity products, you need to contact them direct (eBay, or thecinecity.com). I DO NOT KNOW WHICH CAMERA MODELS FIT WHICH STABILIZERS! The Flycam 5000 is a much better model than the U-Flycam, so I would reccommend you go for that model if you can afford it. That is pretty much all I can tell you.

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Olympus Evolt

DISCOUNT LINK WWW.AMAZON.COM Customer Reviews: "I sat down prepared to write a long winded technical review of this camera/system and decided instead to briefly jot down why I bought it. This is just what was important to me and may or may not register with your values or needs. As a brief introduction I should say I've always had high end cameras but never considered myself a "shutterbug" and I truly hated carrying around a big bag of camera bodies and lenses. First and foremost I've always considered a camera to be a fine instrument and desired precision engineering and permanent materials. In other words, an alloy body and fine detailing were more important to me than a gaggle of features that I probably wouldn't ever use. Secondly, I wanted premium glass in a minimal package of 2 or 3 lenses, also well crafted, and optically as perfect I could get. Third, I wanted an image stabilization function central to the camera itself and not reliant on a specific lens for its function and performance. Finally, I wanted an intuitive system that would allow me to take pictures without having to think like a software engineer. Based upon my criteria the Olympus E-3 met these requirements. Additionally, way back in my film past I had an Olympus OM4T that was one of my favorite film cameras of all time. I still regret selling it. Functionally and ascetically the E-3 with the 12-60mm SWD lens has been a superlative performer. I recently added the 50-200 SWD and it's even better ...

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